Introduction
This document tests all kinds of features, from simple to advanced,
that are not really suited for the reference manual, and are not
needed as a regression test.
Here you may also find dirty tricks, or very the very latest features
that have not been documented or fully implemented yet.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/+.ly
Absolute dynamics have effect in MIDI files./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/absolute-volume.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/ac-extra-voice.ly
Using make-music, you can add various stuff to notes. Here
is an example how to add staccato dots. Note: for this simple case
one would not use scm constructs. See separate-staccato.ly first./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/add-staccato.ly
Using make-music, you can add
various stuff to notes. Here is an example
how to add an extra fingering.
In general, first do a display of the music you want ot
create, then write a function that will build the structure for you./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/add-text-script.ly
Accidentals are available in different ancient styles. This
files lists all of them./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/ancient-accidentals.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/ancient-font.ly
Should use old style./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/ancient-time.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/auto-beam-4-8.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/auto-beam-override.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/auto-beam.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/bagpipe.ly
Different types of bar lines demonstrated./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/bar-lines.ly
Bar numbers can also be printed at regular intervals./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/bar-number-every-fifth.ly
Second line has bar-numbers on start of every measure./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/bar-script-visibility.ly
You can move around Bar_engraver and
Span_bar_engraver if you want bar lines on lyrics./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/barline-lyric-only.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-abbrev.ly
Hmm. what's this supposed to test?/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-chord.ly
Controlling beam positions./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-control.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-count.ly
Beams are less steep than the notes they encompass. /home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-damp.ly
There are several ways to calculate the direction of a beam
majority
- number count of up or down notes
mean
- mean centre distance of all notes
median
- mean centre distance weighted per note
These beam direction functions are defined in scm/beam.scm . If
your favourite algorithm isn't one of these, you can hook up your own.
Of course, this depends on the neutral-direction for the middle line,
down by default. We set that to 1 (up) in the lower staff./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-dir-function.ly
There are several ways to calculate the direction of a beam.
majority
- number count of up or down notes
mean
- mean center distance of all notes
median
- mean centre distance weighted per note
You can spot the differences of these settings from these simple
examples:
These beam direction functions are defined in scm/beam.scm . If
your favourite algorithm isn't one of these, you can hook up your own.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-dir-functions.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-dir.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-isknee.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-neutral-direction.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-pos.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-position.ly
Beams over rests.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-rest.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-second.ly
Beam-stem attachment test. Helper file for ps/dvips problems./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-stem-test.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-suspect.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beam-trend.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beamed-slur-endings.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/beams.ly
print lesson sheets that contain blank lines and just portions of blank lines./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/blank-notes.ly
Blank music paper with clefs/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/blank.ly
overriding the molecule callback can also be used to draw a
box around arbitrary grobs.
TODO: circled molecules.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/boxed-molecule.ly
Broken spanners can be adjusted individually, but
this requires complicated scheme code.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/broken-spanner-adjustment.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/broken-thread-line.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/broken.ly
Small caps is available as font-shape caps.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/caps.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/cautionaries.ly
chord/markup test/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/chord-markup.ly
Chord names in american styles, according to one of our users.
FIXME
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/chord-names-american.ly
Chord name scheme test - double-plus-new-chord-name jazz/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/chord-names-dpnj.ly
Jazz notation for chord names.
FIXME.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/chord-names-jazz.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/chords.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/clef-8-syntax.ly
Scales, but with clef and key signature at the end of the line./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/clef-end-of-line.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/coda-kludge.ly
Demonstration of how to set up an orchestral score./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/coriolan-margin.ly
Display the number of systems, or the system number of a
Grob. This can be most useful to assertain that a piece uses a
specified number of lines./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/count-systems.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/crescendi.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/crescendo-text.ly
Cue notes should be set in smaller type. Cue clefs are
usually not restored explicitly./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/cue-notes.ly
The direction of a perfectly centred beams can be
controlled through Voice.Beam 's grob-property
directlyneutral-direction
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/default-neutral-dir.ly
By setting barAlways and defaultBarType, you can
automatically insert barlines everywhere./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/defaultbars.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/different-time-signatures.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/diverse-spacing.ly
test file for new-new-chord names, ie, double-plus-new-chord-name
TODO: FIXME.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/dpncnt.ly
Slurs can be forced to always attach to note heads.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/drarn-slurs.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/drarn.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/duration-check.ly
Additional tricks for dynamics. Pi`u forte dynamic script/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/dynamic-extra.ly
By inserting the TeX command \embeddedps, you can
insert postscript directly into the output.
TODO: make molecule-callback to do this.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/embedded-postscript.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/embedded-scm.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/embedded-tex.ly
Blank music paper, another example: empty staffs and a
tablature staff./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/empty-staffs.ly
The full orchestra plays a notes, where groups stop one after another. USe this to tune equalizer settings. /home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/equaliser.ly
Explicit pitches and durations./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/explicit.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/extra-staff.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/fake-grace.ly
Test figured bass.
Figured bass is created by the FiguredBass context which eats
note-requests and rest-requests. You can enter these either using
standard << >> notation, or using the special \figures { }
mode, which allows you to type numbers, like <<4 6+>> .
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/figured-bass.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/fill-a4.ly
Theads can be traced automagically when they switch staves by setting
property followVoice .
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/follow-thread.ly
Force hshift to override collisions/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/force-hshift.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/gourlay.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/grace-end.ly
some instruments (notably: cello and double bass) are alternatively written on one and two staves. This is the way to do it:/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/hara-kiri-switch.ly
Hara kiri staves disappear when empty /home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/hara-kiri.ly
Harmonic notes: a different style on the same stem. /home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/harmonic.ly
High level functionality can be accomplished with GUILE. Semantics aren't nice though./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/header-ifelse.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/hshift.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/hymn.ly
note heads for improvisation have a different shape. /home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/improv.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/incipit.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/instrument-name-grandstaff.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/instrument-name-mmrest.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/key-clefs.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/knee-mult.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/knee-sym.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/knee.ly
Draw abritrary lines. This brings LilyPond on par with Mup.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/lines.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/ly2dvi-testpage.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/lyric-extender.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/lyric-hyphen.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/lyric-phrasing.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/lyrics.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/manual-clef.ly
Test font selection and scm text markup
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/markup.ly
Control the number of rests in a collision with maximum-rest-count./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/maximum-rest-count.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/mensural-ligatures.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/metronome.ly
MIDI and midi2ly test file. Diff between this and midi2ly.py (experimental, 1.5.17) should be minimal/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/midi-scales.ly
Midi2ly tuplet test.
python scripts/midi2ly.py --duration-quant=32 \
--allow-tuplet=4*2/3 \
--allow-tuplet=8*2/3 \
--allow-tuplet=4*3/5 \
--allow-tuplet=8*3/5 \
tu.midi
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/midi-tuplets.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/mmrest-collision.ly
Positions of accidentals may be manually set. This
involves some scheme code./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/move-accidentals.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/move-mark.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/move-notehead.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/move-specific-text.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/multi-slope.ly
This example shows prelude in C major of WTK1, but coded
using Scheme functions to save typing work.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/music-box.ly
You can create music expressions from Scheme. The
mechanism for this is rather clumsy to use, so avoid if possible./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/music-creation.ly
In InnerStaffGroup and InnerChoirStaff, the brackets should be shiftet leftwards.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/nested-groups.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/no-bar-lines.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/no-staff.ly
Don't extend stems to cetner line./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/no-stem-extend.ly
Chord names don't attempt to find inversions and
bass notes./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/note-chords.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/note-shift.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/notemode-chords.ly
Octave duplicate parts of music/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/octave-duplicate.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/orchestalpart.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/orchestscore.ly
Ossias present alternatives for a piece. They are not
really supported, but can be somewhat faked in lily./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/ossia.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/ottava.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/part-combine-moments.ly
Template for part-combining orchestral scores/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/part-combine-score.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/part-combine-staff.ly
In orchestral scores and hymns, voices are traditionally combined onto
one staff. LilyPond has a part combiner, that combines or separates two
voices according to actual rhythm and pitch. User-defined texts such as
"solo" and "à2" are typeset automagically, as appropriate.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/part-combine.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/partial-blank.ly
Piano pedal symbols merge stop and start. The strings are configurable.
Text style, bracket style, and a mixture of both are supported. /home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/pedal.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/perform-grace.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/perform-tie.ly
Make PhrasingSlur higher, to avoid colission from other slurs/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/phrasing-slur-height.ly
Polymetric music with aligned note values can be written
by moving the timing engraver to staff context./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/poly-metric.ly
Grob extents may be hard coded using grob
properties. This requires Grob::preset_extent () function.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/preset-extent.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/repeat-manual.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/repeat.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/rest-dot-positions.ly
rests in various styles./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/rests.ly
Simple customised music apply.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/reverse-music.ly
a way to generate rhythm exercises with lilypond
(e.g. no staff but retaining the barlines/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/rhythm-excercise.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/rhythmic-staff.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/scales-greek.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/scales.ly
With ly:export , you can pass of the result of
Scheme expressions as lilypond input. Within a Scheme expression, you
can use, define or change lilypond variables. /home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/scheme-interactions.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/script-horizontal.ly
Relative placements of different script types can be controlled
by overriding script-priority./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/script-priority.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/scripts.ly
You can enter notes and articulations separately, and merge
them into one thread. Here is an example to add repeated staccato dots./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/separate-staccato.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/short-part-combine.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/simple-slur-endings.ly
sketch output supported features/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/sketch.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/sleur.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/slur-area.ly
In some cases, you may want to set slur attachments by hand.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/slur-attachment-override.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/slur-attachment.ly
The same goes for slurs. They behave decently when broken across
linebreak.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/slur-broken-cross-staff.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/slur-broken.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/slur-damping.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/slur-dash.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/slur-follow-music.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/slur-mininum.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/slur-positions.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/slur-proof.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/slur-symmetry-2.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/slur-symmetry-3.ly
You can get ugly slurs, if you want.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/slur-ugly.ly
Here's a copy of my feature request :
Your task, if you accept it is to implement a \smarttranspose
command> that would translate such oddities into more natural
notations. Double accidentals should be removed, as well as E-sharp
(-> F), bC (-> B), bF (-> E), B-sharp (-> C).
You mean like this. (Sorry 'bout the nuked indentation.)
Modified to use the standard transpose mechanism. The question is
how useful these enharmonic modifications are. Mats B.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/smart-transpose.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/solo-a2.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/spacing-2.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/spacing.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/span-bars.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/stacked-scripts.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/staff-bracket.ly
By splitting the grouping (Axis_group_engraver) and
creation functionality into separate contexts, you can override
interesting things. You can also drop the \consistsend feature./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/staff-container.ly
Setting staff space on a staff /home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/staff-line-leading.ly
staff symbol property set workaround/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/staff-lines.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/staff-margin-partial.ly
Setting staff sizes is a little clumsy. There
are two options: using StaffContainer and override/revert, or
\outputproperty. Both methods are shown in this example./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/staff-size.ly
mensural note heads./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/stem-centered.ly
Cross staff stems
Unfortunately, there is no support for putting chords across staves.
You can get this result by increasing the length of the stem in the
lower stave so it reaches the stem in the upper stave, or vice versa.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/stem-cross-staff.ly
Conventionally, stems and beams extend to the middle staff line. This
extension can be controlled through Voice.Stem 's grob-property
no-stem-extend :
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/stem-extend.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/stem-length.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/stem.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/system-start-brace.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/system-start-bracket.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/tablature-hammer.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/tablature.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/tchaikovsky.ly
ottava spanners./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/text-spanner.ly
Test font selection and scm text markup/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/textscript.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/thumb.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/tie-broken.ly
setting sparseTies causes only one tie to be
generated per chord pair./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/tie-sparse.ly
IMPORTANT NOTE: The current selection scheme for time signature
symbols is not flexible enough for future extensions such as various
flavours of early mensural notation or complex signatures as in
contemporary music. Therefore, the semantics of time-signature
properties will quite definitely change, and maybe the syntax of the
ime request will possibly be extended. See the input file for TODOs.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/time.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/timing.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/title.ly
The input representation is very generic. It
should not be hard to convert it to XML or a similar format:
<music
type="score">
<music
type="SequentialMusic">
<music
type="SimultaneousMusic">
<music
type="EventChord">
<music
type="NoteEvent">
<duration
log="2"
dots="0"
numer="1"
denom="1">
</duration>
<pitch
octave="1"
notename="0"
alteration="0">
</pitch>
</music>
</music>
<music
type="VoiceSeparator">
</music>
<music
type="EventChord">
<music
type="NoteEvent">
<duration
log="2"
dots="0"
numer="1"
denom="1">
</duration>
<pitch
octave="0"
notename="4"
alteration="0">
</pitch>
</music>
</music>
</music>
</music>
</music>
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/to-xml.ly
the transposing property leaves output invariant, but has effect on MIDI./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/transposing.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/transposition.ly
show trill line type/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/trill.ly
Document trills, pralls and turns/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/trills.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/tuplet-rest.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/tuplet-spanner-duration.ly
If you specify two different key sigs at one point, a
warning is printed./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/two-key.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/two-slurs.ly
The standard function unfold-repeats will recursively unfold
all repeats for correct MIDI output. Thanks to Rune Zedeler./home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/unfold-all-repeats.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/uniform-breaking.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/vaticana.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/vertical-align.ly
vertical extents may be overriden by
verticalExtent, verticalExtent, verticalExtent. These are
normal property values, and are written itno the grob when the
associated context finishes, so using it in \property works.
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/vertical-extent.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/vertical-text.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/voice-switch.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/voicify-chords.ly
Volta braces are hung on barlines. At the start of the
line, they should always start after the prefatory matter. /home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/volta-start.ly
/home/buchan/rpm/BUILD/lilypond-1.7.14/input/test/volta.ly
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